A storyteller, an ethnic Korean from China living in Japan, revisits fragmented memories, blurring the line between fiction and reality.

90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴, 삼풍 백화점 붕괴, 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. 　　What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 　　18th Busan International Film Festival Documentary Competition

Nan Goldin's slide show "The Ballad of Sexual Dependency" converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

建筑设计师罗家辉在一场私人拍卖意外购得知名艺术家李学东珍贵的早期作品，并打算将其布置在自己筹建的一座“不插电”美术馆最醒目的位置。李学东私下提出希望对方能将这件作品销毁，那只是自己多年前制造的一件艺术垃圾。作为交换，他将依托这里独特的设计理念制作一件永久性交互装置。开幕日期将近切有条不紊地进行，却不想整幢建筑的功能己悄然发生改变。。。

本剧讲述的是与憧憬的前辈偶然重逢，并开始共同生活的青年·神保的故事。

建筑设计师罗家辉在一场私人拍卖意外购得知名艺术家李学东珍贵的早期作品，并打算将其布置在自己筹建的一座“不插电”美术馆最醒目的位置。李学东私下提出希望对方能将这件作品销毁，那只是自己多年前制造的一件艺术垃圾。作为交换，他将依托这里独特的设计理念制作一件永久性交互装置。开幕日期将近切有条不紊地进行，却不想整幢建筑的功能己悄然发生改变。。。

知名性爱专栏作家 Cassie 因阿妈卖咸鸭蛋而不情不愿回乡下小镇奔丧 。高中时，对性充满好奇的 Cassie 遭朋友唱通街说她是「公厕」，害她声名狼籍，逼使她离开思想保守的家乡。如今她的「性」事业正值高潮，她准备出版的春宫日志更加不能渣流滩！横竖镇上性压抑的左邻右里已当她是 Miss Sex求教，不如趁机办个啪啪啪派对，把各位街坊学徒的真人 show 收录成性经，更可藉此向当日出卖她的朋友报复，赤裸裸地撕破他们的伪贞洁皮囊！

“Essay, a term from written literature: unity of science and art; unity of social and individual knowledge,” Harun Farocki wrote in a first draft of the project Erzählen. The film follows two people (played by Engström and Farocki) investigating their respective subjects: one is tracing the involvement of the German heavy industry in the rise of Nazi-Germany, the other is interested in the fate of Larissa Reissner, a young Soviet writer and revolutionary. Both of them struggle with the question of how to organize their research and find a narrative structure. Their paths cross, and the film turns into an essayistic interrogation of structuralist narratology.

深夜，挥舞巨大钢筋袭击人类的亡灵“钢人七濑”。是单纯的都市传说，还是真正的亡灵？给予妖魔鬼怪们智慧的巫女——岩永琴子，与之正面抗衡。为了消灭由…

深夜，挥舞巨大钢筋袭击人类的亡灵“钢人七濑”。是单纯的都市传说，还是真正的亡灵？给予妖魔鬼怪们智慧的巫女——岩永琴子，与之正面抗衡。为了消灭由人类想象力创造的恐怖妖怪，为了对抗虚构，琴子设下了由虚构组成的重重机关。空前绝后的推理能否成功？